Review – Alec Ryrie “Unbelievers: An Emotional History of Doubt”

Review – Alec Ryrie “Unbelievers: An Emotional History of Doubt”

Alec Ryrie, Unbelievers – An Emotional History of Doubt (William Collins, 2019) 262 pp.

We unbelievers are often mentioned in passing in histories of religion, but there are only a few works of history that focus on those of us who reject religion or who never held religious beliefs at all. This one is by a scholar who is a Christian, but one who strives to give a balanced and nuanced view of how various modern Western strains of unbelief arose and where they came from. Unusually, Ryrie focuses on the emotional rather than the rational roots of modern unbelief and the result is an interesting analysis that leads to some surprising people and insightful conclusions.

Alec Ryrie

The general assumed historical narrative about the rise of Western unbelief is usually summarised more or less as follows. The Catholic Church repressed any dissent through the dim, dark ages of the Medieval Period until the Reformation broke its stranglehold on ideas. This led to the flowering of the Renaissance and then the coming of the Enlightenment, as well as the Scientific Revolution. So the great and sceptical thinkers of the Enlightenment questioned faith and undermined religion, while the advances of science made it clear rationalism made more sense than religion. As a result, more and more people abandoned religion, leading us to the situation today where substantial proportions of most western populations have no religion at all and are essentially unbelievers.

This is a story of top-down revolution, with great thinkers, writers, philosophers and scientists leading the way and the common people slowly catching up to their enlightened thinking. This is, unsurprisingly, the narrative favoured and assumed without question by prominent anti-theistic and anti-religious polemicists. Unsurprisingly, because these people – Dawkins, Hitchens, Harris, Grayling and their imitators and successors – consider themselves to also be great thinkers, writers, philosophers and scientists and see it as their mission to enlighten the common people.

But Ryrie questions this “death [of God] by philosophy narrative”. In his Introduction he explains:

I wrote this book because I am not satisfied with that stereotypical account. The timescale, the suspects and the nature of the murder are all wrong. Telling the story a different way not only changes our sense of history; it casts our current moment of pell-mell secularisation in a different light.

(Ryrie, p. 3)

The “different story” Ryrie tells is one where reason is not the primary driver of doubt. Emotions are. His book’s epigraph is a quote from Julian Barnes’ novel A Sense of an Ending:

Most of us, I suspect … make an instinctive decision, then build up an infrastructure of reasoning to justify it. And call the result common sense.

Ryrie invokes a similar observation from Pascal: “The heart has its reasons of which reason knows nothing”. Ryrie traces a story of doubt and unbelief that explains why he does not accept the “death of God by philosophy narrative”. In it, he discusses evidence of doubters, unbelievers and atheists in substantial numbers centuries earlier than the common top-down narrative can explain. And he explains this by arguing doubt arose from substantially emotional reasons long before the great men of the Enlightenment and their successors came along and gave this emotionally-based doubt its post factum “infrastructure of reason”. The chicken of doubt came before the egg of reason. In Ryrie’s telling, the two key driving emotions behind these changes in attitude to belief were anger and anxiety.

Doubting Thomas

Medieval Anger

A lot of popular conceptions about belief in the Middle Ages tend toward two cliched extremes: seeing the period either as an “Age of Faith” populated by credulous but devout believers or as one where a restless but oppressed majority are reluctantly browbeaten into a pretence of piety by a wicked and corrupt clergy. Neither is especially accurate. Religious faith was widespread, but – as the higher and more high-minded clergy often lamented – it was usually simple, theologically unsophisticated and often grossly misinformed doctrinally. Faith for many or even most provided practical benefits through prayer and the comfort of ritual and a yearly cycle of liturgy. Others, of course, were more engaged and more devout. And some were deeply so.

Outright atheists in any modern sense must have been vanishingly rare, given evidence for them is virtually non-existent. Despite this, there is evidence of various kinds of genuine religious doubt, as well as conceptions of doubt that are sometimes surprising. The learned and cosmopolitan Holy Roman Emperor Frederick II, who was dubbed by some admiring contemporaries as Stupor Mundi (“the Wonder of the World”), also had many enemies and detractors, not least of whom was Pope Gregory IX, who accused him of heresy and a variety of scandalous religious doubts and denials. One rumour was that his chancellor and secretary, Pietro della Vigna, had written a book for Frederick called Of the Three Imposters. Allegedly, this book argued that there were three great imposters and deceivers in history: Moses, Muhammed and Jesus. This book never existed, but rumours of its existence persisted for centuries, until eventually some eighteenth century French atheists forged it. As Ryrie notes though “the result was an anticlimax.” (p. 14)

Ryrie argues that this book-that-never-really-was is not just an intriguing historical titbit, it is also emblematic:

If we want to understand unbelief in the Middle Ages, the supposed Age of Faith, ‘Of the Three Imposters’ is a good place to start. Like the book, medieval unbelief existed in the imagination rather than in any fully articulated form. It was a rumour; not a manifesto, an inarticulate suspicion, not a philosophical programme. Its vagueness was what made it powerful.

(p. 14)

Ryrie explains this by comparing medieval doubters to modern flat-earthers. They were not motivated by any deep engagement with the relevant theology or supporting philosophy any more than flat-earthers have a profound grasp of cartography or astronomy. On the contrary, it is their very lack of this knowledge that makes their doubt both possible and also unassailable. It is motivated by suspicion: a sneaking sceptical feeling that everyone is somehow being duped. Given that stupid, hypocritical and corrupt clergy were a standard target of medieval satire, it was not hard for some of these folk-doubters to find a cause for this suspicion and so a target for one of Ryrie’s key motivating emotions: anger. Ryrie gives several examples of where this anger led to people denying key doctrines – mainly transubstantiation, but also religious rituals and the Bible – and argues this seems common enough for medieval heresy hunters to categorise it neatly as “Epicureanism”. But this was no coherent philosophy: it was a folk belief based on a suspicious hunch, a lot of resentment and, eventually, anger.

This anger was, as Ryrie details, one of the drivers of the Reformation. Rising lay piety and increasing engagement with Church activity and doctrine, ironically a result of reforms the Church itself had been pushing since at least the thirteenth century, gave this dissatisfaction with the institution’s shortcomings and hypocrisies increasing intensity and voice. And, increasingly, the Medieval period’s social and institutional pressure valves and outlets for this discontent failed to suffice. So things boiled over into conflict, fracture and schism. This in turn led to something that Western Christendom had not seen on a large scale before: a degree of pluralism in religious practice and belief. This in turn had significant consequences, Ryrie argues, on the history of doubt.

Ranters

Reformer Anxiety

The fragmenting of communities and institutions of belief in the wake of the Protestant Reformation had a number of novel consequences. Now that everyone was a theologian, so long as they had a Bible to hand and some capacity to read it, ruling classes struggled to contain or control the wild variety of new sects and communities that arose. In one extreme case, the radical Anabaptists who took control of the city of Münster in 1534-35 created a chaotic and murderous eschatological regime led by the polygamous 25 year old tailor’s apprentice and self-proclaimed “prophet” John of Leiden. The Prophet was eventually torn to pieces with red-hot iron tongs when the city was recaptured by its ousted Prince-Bishop, but this was an alarming taste of things to come. Sects, both mild and radical, multiplied. In England, a degree of religious central control by the monarchy as head of the Church of England broke down in the English Civil Wars of 1642-51, which saw the rise of myriad “Dissenter” congregations. Ranters, Quakers, Diggers, Levellers, Muggletonians and many smaller groups proliferated. This variety of options and kaleidoscope of competing doctrines gave rise to Ryrie’s other driving emotion: anxiety.

After all, which sect was right? What doctrines were the true ones? And what if a believer chose wrongly and ended up burning in Hell? Overlaying these questions was an even more pressing one for many of these believers. Given many or even most of these sects were based on a Calvinist theology, the issue of Predestination added a heavy layer of anxiety. Under the Calvinist concept of infralapsarianism (also called postlapsarianism), God ordains who is to be saved and who is to be damned, via his omniscient foreknowledge, from the beginning of time. For many, anxiety about whether they were foreordained to be saved or to be burned was a genuine psychological torment on earth.

This is Ryrie’s home turf as a historian and Chapters Four and Five of his book explore the anxiety of many often obscure and common people in the sixteenth to eighteenth centuries in some detail. In the 1640s the teenaged Hannah Allen was so wracked with anxiety about her sinful state that she tried to commit suicide and could not even look at a book because it reminded her of the Bible. Another anxiety-stricken devout teenager, Sarah Wright, was also driven to suicide attempts because she felt her spiritual agonies on earth were even worse than any hellfire. Others were driven further and contemplated simply giving up any attempt at a pious life and embracing pure hedonism. One “M.K.” imagined the Devil saying to her:

Why dost thou trouble thyself? Take thy pleasure, do what thou likest. Thou shalt never be called to an account for anything, for as the wise man dieth, so dieth the fool, and both rest in the grave together. There is no God to save thee or to punish thee, all things are made by nature, and when thou diest, there is an end of all thyy good and bad deeds.

(Ryrie, pp. 113-14)

Of course, these accounts are given in works that go on to describe how these women overcame this anxiety and found a way to live piously in the end. That polemical context should give us at least some reason, perhaps, to question how much their distress and the extent of their doubts are exaggerated for rhetorical effect. But Ryrie gives enough material like this to indicate that the examples are not isolated and to make a case that there were others who were driven to similar extremes, with not all coming to satisfactory terms with these issues as these people did. As he argues, “these tender souls were canaries in the mine” (p. 115).

A further group are also indicative of similar anxieties and precursors of later resolutions of them. The Seekers were more a general category rather than a distinct sect. These were people who had tried various sects and congregations and found none of them satisfactory. They arrived at a general rejection of ritual, creeds or prescriptive dogma and came together in meetings with like-minded others where all kept a respectful silence, looking for individual inspiration and guidance. They prefigured aspects of Quakerism, with its emphasis on religious tolerance and freedom. But their rejection of the strictures of ecclesiastical constraints means they also prefigured and paved the way for the Deism of the following centuries. Some pared their beliefs back so far that they were left with only something like Natural Law as a basis for living – as Ryrie paraphrases the conclusion of one Seeker, Clement Writer: “if all doctrine and authority is uncertain, the only certainly left was God’s law written onto every human heart.” (p. 169). This is getting remarkably close, in the 1640s no less, to something very like the view of a Voltaire or a Jefferson. Paradoxically, the great piety of these earnest sectarians and seekers led directly down the road to increasingly radical and pervasive doubt.

Literally Hitler

Literally Hitler

It is in Ryrie’s final chapter that we finally get to the Enlightenment writers and nineteenth century scientists and freethinkers that are supposedly the source of modern secularism, atheism and unbelief, according to the traditional top-down, “death of God by philosophy narrative” favoured by the current crop of anti-theists. Of course, not everyone is going to be convinced by Ryrie’s thesis that these people were simply building an after-the-fact “infrastructure of reason” for doubt arrived at for mostly emotional reason. Oxford’s Dimitri Levitin is sceptical about this, as he articulates in an appreciative if critical review – see “O Ye of Little Faith” (Literary Review, February, 2020). But Ryrie does seem to be onto something. By this final chapter, it is difficult to think of modern unbelief and atheism as suddenly leaping, fully formed, from the foreheads of Voltaire and Huxley. There was a centuries long process of conceptual foundation-laying, and much of it was, as Ryrie argues, at the very least driven as much by emotion as reason.

Ryrie’s book is short but his chapters are densely argued for all their relative brevity. This final one contains a succinct meditation on how we have got from a period in which unbelief was still very much the domain of oddities and village atheists to today: where large swathes of the population of most developed nations are at least non-religious if not outright unbelievers. In a well-argued few pages at the end of the book, Ryrie makes the case for this change being caused by a traumatic historical fracture point: Hitler, the Nazis and the Holocaust.

He notes Callum Brown’s book Becoming Atheist – Humanism and the Secular West (BLM Academic, 2017), in which Brown interviews eighty-five atheists across Europe and North America. One of his findings was a consistent ethical code that united his interviewees. This entailed the “Golden Rule” and “a linked set of principles about human equality and bodily and sexual autonomy.” What Brown found interesting is that his subjects “claimed, without exception, that they were ‘humanists’ before they discovered the term.” As Brown puts it:

Humanism was neither a philosophy nor an ideology that they had learned and read about and then adopted. There was no act of conversion, no training or induction … A humanist condition precedes being a self-conscious humanist.

(In Ryrie, p. 201)

Despite Dawkins and Co. assuming they and their predecessors were creating unbelievers by reason and argument, Brown’s findings indicated most people find their way to this thinking themselves and put a label on it later.

So where did this ethic and its associated ideas and values come from, Ryrie asks. His answer is: Hitler. His judgement of his own faith – Ryrie is a Christian and lay minister in the Church of England – is a harsh one: Christianity’s traditional accepted raison d’être had been to define morality and in the Second World War it failed:

It failed not only in the sense that many churches and Christians were to a degree complicit with the Nazis and fascism, but in the wider sense that the global crisis revealed that Christianity’s moral priorities were wrong. It now seemed plain that cruelty, discrimination and murder were evil in a way that fornication, blasphemy and impiety were not.

(p. 202)

So, he argues, the Second World War became the Western world’s new foundation myth. Correspondingly, where previously the most potent moral figure in Western culture had been Jesus, now it was Hitler. He is the fixed point by which we define evil and use as contrast with all that is good. The common and seemingly almost instinctive ethic that Brown identified in his interviewees has this as its origin: an inversion of Hitler. This is the reason Godwin’s Law is a key rule of the internet and “Nazi!” is the almost inevitable end point of so many social media arguments.

Ryrie is far from the first person to observe this. Tom Holland’s Dominion: The Making of the Western Mind (Little,Brown, 2019) makes much the same argument, at least about Hitler’s status as the touchstone of evil and anti-Humanistic impulse. Holland’s book is not cited in Ryrie’s endnotes, but Holland makes a useful contrast between Hitler and Tolkien in his nineteenth chapter. Ryrie also notes how The Lord of the Rings, which he calls one of “the modern age’s most popular myths” (p. 203), was clearly influenced by the time in which Tolkien wrote it and the new, significant status that Hitler and Nazism were already taking in Western culture:

Western culture had been breeding new Saurons ever since. The figure of the Dark Lord has stalked through the most persistent and popular mythologies of the post-war era, from Star Wars’ Darth Vader to Harry Potter’s Lord Voldemort. …. These are the myths on which generations of children in the post-Christian West have been raised, transposing the brutal lesson of the Second World Warn into timeless morality tales. …. And while the Christian ethical sensibility which Tolkien embodied still underpins these myths, they have, like the culture in which they have thrived, left that original taproot behind them.

(p. 204)

Ryrie is dismissive of Dawkins-style New Atheism, seeing it as little more than reverse apologetics and so “much better at cheering up atheists than at persuading believers.” (p. 199) He also gets in a richly deserved swipe at some of anti-theism’s sillier excursions, with the tedious fringe theory of Jesus Mythicism also getting a passing whack (pp. 196-7). So it is not surprising that his book has not been appreciated by the few anti-theists who have noticed it: New Humanist gave it a brief, dismissive and rather dull-witted review that indicates the reviewer did not actually understand Ryrie much at all (see “Book Review: Unbelievers”, New Humanist, 17th August 2020).

But the history of unbelief needs more insightful books by good scholars and the professional polemicists of anti-theism are definitely not capable or even very interested in writing them. If some are going to be written by believers, it is good when they are authored by believers like Ryrie – ones who can be careful and fairly objective.

He ends by warning his fellow Christians that “Western Christendom is not about to snap back into place” and that contemporary Humanism is “not a blip or an anomaly, but a continuation of moral forces that have been at work within the Christian world for centuries”. He fears believers are fooling themselves about this and that many are in “danger of being tempted by the authoritarian nationalist voices that want to unlearn the Second World War’s moral lessons.” This, he warns, reduces the word “Christian” to mere tribal identity which is ultimately “self-defeating”.

Similarly, he warns we unbelievers that “the humanist surge is not a stable new reality … our culture’s moral frameworks have shifted before and they will do so again”, concluding sagely “believers and unbelievers alike share an interest in where that story goes next.” (p. 206)

Regardless of whether you agree with all his points or find all his arguments convincing, this is a succinct and insightful work of history and so well worth both believers and unbelievers’ time.

34 thoughts on “Review – Alec Ryrie “Unbelievers: An Emotional History of Doubt”

  1. Sounds like an interesting book! It seems like the intellectual history of atheism and secularism have been getting quite a lot of attention lately. What did you think of Justin Brierley’s recent book on the topic? Also, have you read Charles Taylor’s “A Secular Age”? It’s regarded by many as the masterwork on secularization.

    1. I haven’t read Brierley’s book and probably won’t bother. He’s a nice chap, but pretty lightweight. Taylor’s book is sitting on my desk right now glaring at me, given I bought it a year ago and still haven’t got around to reading it. I intend to do so in 2024 and will review it here.

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  2. This actually makes a lot of sense for me. I had been questioning my belief in a personal deity in high school due to the emotional abuse and bullying that I had been experiencing. But I had not actually read or heard anything regarding humanism etc. It was less important for me whether there was scientific evidence for evolution than the fact that I suffered abuse from those who claimed the Bible as the basis of their actions. I think that is why I never fully became an atheist.

    1. Abuse of all kinds, no matter the source, is inherently evil and wicked and so my thoughts go over to you. That must have been an awful experience and demonstrates the after effects of the story Tim outline here. It’s interesting to see how the transition from religio and practice to inner authentic belief and religion (Augustine, the canon lawyers, popular movements), and the violence erupting from the rise of multiple sects and schisms made so that many sects became hardline and reactionary, and its doctrines increasingly rigid and clearly defined.

    2. They should not have done that. End of. Im sorry you suffered as a kid from supposed Christians. As a Christian I deplore bullying as I suffered from it too at school. It diminishes the human spirit. But I dont blame God, I blame the bullies for their actions.

      1. Definitely not in the modern sense, though I recall a minor figure in “Montaillou: The Promised Land of Error” that one might consider borderline-atheist, and while he was interviewed or perhaps charged by the Inquisition on other grounds, I believe he wasn’t straight punished. It’s been some time since I’ve read it however so I hope I’m not mis-remembering and apologies if I am. Incidentally, RIP Emmanuel Le Roy Ladurie (author of the book) who passed away just a few weeks ago.

        1. No, you’re right that there are examples of that kind of character and that they are getting close to the kind of atheist I am or is fairly common today.

          1. What would you define as the difference between a “modern atheist” and a “pre-modern atheist”, for lack of a better term?

          2. A modern atheist is heir to a centuries long tradition of science-based naturalism and materialism and a positivist philosophical tradition that gives a foundation to their unbelief. Pre-modern people who get close to modern atheism were working from little more than a strong hunch the whole “God” thing was simply a story or a con job.

  3. Great review, and a very interesting book that taught me something I never knew before – where Arthur Machen got his title for the novel “The Three Impostors”.

    But I have to take issue with “The Lord of the Rings was influenced by the Second World War” part; Tolkien (from the Selected Letters by Humphrey Carpenter) has a lot of rebuttal of “so by the Ring you meant the Atomic Bomb and the Orcs are the Soviets” type of reviewing. Excuse the long comment, but this is a bugbear of mine.

    From a letter of 1947, where Book 1 had been read and given a preliminary review by Rayner Unwin:

    “But in spite of this, do not let Rayner suspect ‘Allegory’. There is a ‘moral’, I suppose, in any tale worth telling. But that is not the same thing. Even the struggle between darkness and light (as he calls it, not me) is for me just a particular phase of history, one example of its pattern, perhaps, but not The Pattern; and the actors are individuals – they each, of course, contain universals, or they would not live at all, but they never represent them as such.

    Of course, Allegory and Story converge, meeting somewhere in Truth. So that the only perfectly consistent allegory is a real life; and the only fully intelligible story is an allegory. And one finds, even in imperfect human ‘literature’, that the better and more consistent an allegory is the more easily can it be read ‘just as a story’; and the better and more closely woven a story is the more easily can those so minded find allegory in it. But the two start out from opposite ends. You can make the Ring into an allegory of our own time, if you like: an allegory of the inevitable fate that waits for all attempts to defeat evil power by power. But that is only because all power magical or mechanical does always so work. You cannot write a story about an apparently simple magic ring without that bursting in, if you really take the ring seriously, and make things happen that would happen, if such a thing existed.”

    From a letter of 1955 to W.H. Auden:

    “The Lord of the Rings as a story was finished so long ago now that I can take a largely impersonal view of it, and find ‘interpretations’ quite amusing; even those that I might make myself, which are mostly post scriptum: I had very little particular, conscious, intellectual, intention in mind at any point. Except for a few deliberately disparaging reviews – such as that of Vol. II in the New Statesman,3 in which you and I were both scourged with such terms as ‘pubescent’ and ‘infantilism’ – what appreciative readers have got out of the work or seen in it has seemed fair enough, even when I do not agree with it. Always excepting, of course, any ‘interpretations’ in the mode of simple allegory: that is, the particular and topical. In a larger sense, it is I suppose impossible to write any ‘story’ that is not allegorical in proportion as it ‘comes to life’; since each of us is an allegory, embodying in a particular tale and clothed in the garments of time and place, universal truth and everlasting life. Anyway most people that have enjoyed The Lord of the Rings have been affected primarily by it as an exciting story; and that is how it was written. Though one does not, of course, escape from the question ‘what is it about?’ by that back door. ”

    From draft letters of 1956:

    “Thank you for your letter. I hope that you have enjoyed The Lord of the Rings? Enjoyed is the key-word. For it was written to amuse (in the highest sense): to be readable. There is no ‘allegory’, moral, political, or contemporary in the work at all.”

    “Of course my story is not an allegory of Atomic power, but of Power (exerted for Domination). Nuclear physics can be used for that purpose. But they need not be. They need not be used at all. If there is any contemporary reference in my story at all it is to what seems to me the most widespread assumption of our time: that if a thing can be done, it must be done.”

    Letter of 1957:

    “There is no ‘symbolism’ or conscious allegory in my story. Allegory of the sort ‘five wizards = five senses’ is wholly foreign to my way of thinking. There were five wizards and that is just a unique part of history. To ask if the Orcs ‘are’ Communists is to me as sensible as asking if Communists are Orcs.”

    Letter of 1958:

    “Nobody believes me when I say that my long book is an attempt to create a world in which a form of language agreeable to my personal aesthetic might seem real. But it is true. An enquirer (among many) asked what the L.R. was all about, and whether it was an ‘allegory’. And I said it was an effort to create a situation in which a common greeting would be elen síla lúmenn’ omentieimo, and that the phase long antedated the book.”

    Letter of 1961 laying into a Swedish translator making a lot of assumptions as to what was ‘really’ meant:

    “Here rules the personification of satanic might Sauron (read perhaps in the same partial fashion Stalin).

    There is no ‘perhaps’ about it. I utterly repudiate any such ‘reading’, which angers me. The situation was conceived long before the Russian revolution. Such allegory is entirely foreign to my thought. The placing of Mordor in the east was due to simple narrative and geographical necessity, within my ‘mythology’. The original stronghold of Evil was (as traditionally) in the North; but as that had been destroyed, and was indeed under the sea, there had to be a new stronghold, far removed from the Valar, the Elves, and the sea-power of Númenor.”

    1. I’m familiar with that letter and so is Ryrie. He knows Tolkien’s objection to that form of simplistic allegorical reading, but that’s not what he’s doing when he notes that the rise of the Nazis and the ongoing Second World War clearly influenced the book. He quotes Tolkien himself (Letter 66 in Carpenter’s collection) commenting on the War using references to LOTR, including how “we [in WWII] are attempting to conquer Sauron with the Ring”, saying this will “breed new Saurons, and slowly turn Men and Elves into Orcs” noting “we started out with a great many Orcs on our side” and telling his son Christopher that in fighting in the War he is “a hobbit among the Urukhai” (p. 77). So Tolkien didn’t like allegory, but he didn’t mind a bit of analogy.

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    2. Influenced by is not the same is inspired by. It’s not hard to draw a parallel between the slave camps of Mordor and those of the nazis for instance. However it doesn’t follow that LotR is retelling WWII or even that that war was the greatest influence.

    3. I came here to make this point, and there’s an even stronger argument for it than Tolkien’s quotes.

      Tolkien’s character of Sauron is more clearly influenced by his character of Morgoth, who dates back to c. 1920 in the earliest drafts of (what would eventually become) The Silmarillion. Almost all the Sauron/Hitler similarities I can think of are already present in Morgoth, an earlier dark lord.

      Tolkien was definitely fortuitous to hit on a Dark Lord trope that would shortly get great cultural currency, but this makes me think it was an earlier trope that both he and the culture were hearkening back to.

      1. That’s because there was an earlier Dark Lord archetype already present in the culture of the time, an archetype Tolkien clearly drew inspiration from when writing Morgoth: Satan.

        The creation story told in The Silmarillion takes some inspiration from the Bible, with Eru Illuvatar being analogous to the Christian God, and Morgoth, his vain and disobedient creation, playing the role of Satan.

        To be clear, I’m not saying it was meant as an allegory. The Silmarillion is very much its own story, with distinctive elements (such as the presence of a pantheon of lower-g “gods”) that separate it from the Bible.

  4. Anyone who has read Haidt or Damasio (to name only two authors) will be familiar with the idea that we are emotional beings first and foremost, with the rational faculties following after, and frequently serving merely to ratify doxastic choices already made. Hume was right: reason is slave to the passions. So Ryrie’s thesis shouldn’t be surprising. If you’re tolerably happy with the status quo, then you go along to get along, and aren’t motivated to question things too hard. It’s when things start to go awry that dissatisfied people start to have Dangerous Thoughts (which in themselves may be good or bad, since they’re as likely to include bonkers conspiracy theories as sober scientific critiques. See: current American politics).

  5. I think Ryrie’s “… the global crisis revealed that Christianity’s moral priorities were wrong. It now seemed plain that cruelty, discrimination and murder were evil in a way that fornication, blasphemy and impiety were not.” makes a nice summary of much wrong with Christianity today and am pinching it for future use (with attribution).

    Solid and sober review as always.

  6. Every new post here has my spirits uplifted, my satisfaction immeasurable, and my day made. This site is incredibly practical, erudite, and is filled to the brim with citations to great scholarship.

    In particular, this type of book with its particular topic fits right into what I am writing (admittedly just a summary and synthesis of various sources for myself and others) and I cannot stress enough how good this site is.

  7. If you are going to define an unbeliever by what he unbelieves in aren’t you facing some tricky decisions? I am from a formerly Christian society so I unbelieve in Christianity. A Moslem acquaintance is a (secret) atheist so he unbelieves in Islam.

    Are we the same sorts of beast? Do we both unbelieve in the other’s legacy religion too? Could you be an unbeliever in pagan Greece? Would it depend on whether you unbelieved in the whole huge cast of Gods or would it be enough to unbelieve in just a few of them?

    It’s a bit like the schoolboy debate. “Do you believe in God?” “First you’ll have to describe this God that I am perhaps to unbelieve in!”

    1. Ryrie deals with this in his introduction, where he emphasises he is talking about the history of unbelief in the West. This necessarily means he’s predominantly talking about doubt and unbelief re Christianity, primarily.

  8. Tim,
    The older I get, the more I think that almost everyone has their religion, because I can think of only a handful of people I’ve ever met of whom it could be truly said that they held no belief in defiance of reason. nor ever confused reason with mere logic.

    I don’t actually mind what people believe; I do mind efforts at conversion.

  9. Great piece Tim!
    The chicken of doubt came before the egg of reason,

    Hilarious! This will soon be the latest apologetic fad! Skeptics are chicken!
    I can hear Frank Turek already!

    1. Skeptics are chickens
      Chickens are birds
      Birds are technically dinosaurs

      Conclusion: Skeptics are Dinosaurs. RAWR!

  10. Alec Ryrie also has an interesting thesis (I don’t know if others have said it) that the abolitionist movement in Britain only grew in strength because of a theological shift caused by the trauma of the American Revolution. God had punished Britain for slavery.

    Maybe you should do an article dealing with the role which religion played in both slavery and abolitionism.

    1. Both religious and secularising thinkers appeared on either side in disputes about slavery. I’m currently reading Adrian Desmond and James Moore’s “Darwin’s Sacred Cause”, which explores the complex interactions between Charles Darwin’s anti-slavery stance (inherited from his family, but greatly reinforced by his experiences during his voyage on the Beagle), and the development of his evolutionary theories. The main link between them is the issue of whether human races had a common origin: those who believed they had might still be pro-slavery and “pluralists” anti-slavery, but the tendency was for pro-slavery and pluralist views to go together, and “science” seemed to be tending towards pluralism. Scientists with single-origin views had to explain how variation between racial groups came about – and that’s where Darwin’s ideas on natural selection and perhaps even more so, sexual selection, came in. (Incidntally, I learned from the book the amusing fact that Darwin’s first publication was a defence of missionaries in the Pacific, co-authored with Robert FitzRoy, captain of the Beagle, with whom he had quarelled over slavery, and who later became a funadamentalist Christian who denounced Darwin’s theory of evolution!)

  11. I’d be even bolder and put the dividing line for both belief and unbelief at the First rather than the Second World War: as of 1919 the Edwardian world of monarchies, Eton vs. Harrow, William Morris and Oscar Wilde was much, much further than just 5 years away

    even a decade ago I found the New Atheists oddly–evasive about the entire 20th century; ultimately they seem to regard it as just this big *mistake*; forget Hitler or Stalin, they’re still grinding their teeth about the Siege of Jerusalem as the biggest bloodletting that they can imagine Europe to have committed after Verdun and Passchendaele; of course most unbelievers today aren’t NAs–but their critiques of religious cliches were knocking around during the Lost Generation before they appeared in Camus

    Gregory XVI, Pius IX, Leo XIII faced Liberal nationalism, a belligerent Grand Orient of France, and industrial capitalism; after 1917 the Catholics (at least) had to deal with ultranationalism, integralism, and Bolshevism–challenges of an entirely different order of magnitude than any anterior fight

    1. I know I’m late to the party here, but this is an interesting comment.

      I once discussed the World Wars and their impact on religiosity in different countries with a friend, who made a claim similar to Ryrie’s–that the death toll of the World Wars and the Holocaust is the prime driver behind religious disaffiliation.

      But I pointed out to him that the most irreligious countries, at the time, were those that had no part in either war–Sweden, for example–or skipped out on at least one–the Netherlands.

      Meanwhile, the countries most directly impacted by the World Wars–Israel and Poland–were considerably more devout (though in the latter case this has started to shift rapidly).

      I argued to this friend that there is a difference in how different cultures contextualized each war–for example, for Poles, the First World War is borderline forgotten, lost in the brilliance of restored independence and the Polish-Soviet War. So Verdun and Passchendale and the Somme just don’t have as much weight there (similarly, Timothy Snyder has made a few allusions in his works that the Holocaust in Poland was subsumed into the greater National Messianism ideology–just another bit of suffering inflicted on the nation by outsiders). The former USSR, similarly, doesn’t seem to wrestle with the same anxiety about the trenches as France, Britain, America, and Germany seem to–it was another humiliation on top of the Russo-Japanese War, and a prelude to revolution, but not a civilizational catastrophe.

      So I agree with your point about WWI as the defining mark when unbelief became a default condition–but only in some countries, those countries where the memes of WWI–lions lead by donkeys, All Quiet on the Western Front, etc.–became dominant.

      Of course, Ryrie’s broader point might be applied to other traumatic events. The abuse scandals in the US, Ireland, and Poland have all contributed to making unbelief popular–anger is at work. The same revulsion at official hypocrisy that he notes in the pre-Reformation period can be seen here, perhaps.

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  12. This is a fun discussion. But I think that any focus on the Medieval period, and Western Europe, neglects say, Socrates and Plato. Socrates being a rather rational chap. Who is eventually sentenced to death. For impiety to the gods. Before 300 BCE.

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